I am worried about tentacles.
How you can still get stung
even if the jelly arm disconnects
from the bell. My husband
swims without me—farther
out to sea than I would like,
buoyed by salt and rind of kelp.
I am worried if I step too far
into the China Sea, my baby
will slow the beautiful kicks
he has just begun since we landed.
The quickening, they call it,
but all I am is slow, a moon jelly
floating like a bag in the sea.
Or a whale shark. Yes—I could be
a whale shark, newly spotted
with moles from the pregnancy—
my wide mouth always open
to eat and eat with a look that says
Surprise! Did I eat that much?
When I sleep, I am a flutefish,
just lying there, swaying back
and forth among the kelpy mess
of sheets. You can see the wet
of my dark eye awake, awake.
My husband is a pale blur
near the horizon, full of adobo
and not waiting thirty minutes
before swimming. He is free
and waves at me as he backstrokes
past. This is how he prepares
for fatherhood. Such tenderness
still lingers in the air: the Roman
poet Virgil gave his pet fly
the most lavish funeral, complete
with meat feast and barrels
of oaky wine. You can never know
where or why you hear
a humming on this soft earth.

– Aimee Nezhukumatathil

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

– W. B. Yeats

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by Langston Hughes
I’ve known rivers:
I’ve known rivers ancient as the world and older than the
flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I’ve seen its muddy
bosom turn all golden in the sunset.
I’ve known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.

What happens to a dream deferred?
Does it dry up
Like a raisin in the sun?
Or fester like a sore–
And then run?
Does it stink like rotten meat?
Or crust and sugar over–
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
– L.H

They eat beans mostly, this old yellow pair,
Dinner is a casual affair.
Plain chipware on a plain and creaking wood,
Tin flatware.
Two who are Mostly Good.
Two who have lived their day,
But keep on putting on their clothes
And putting things away.
And remembering…
Remembering, with twinklings and twinges,
As they lean over the beans in their rented back room
that is full of beads and receipts and dolls and
cloths, tobacco crumbs, vases and fringes.
– Gwendolyn Brooks

The mother knits
The son makes war
She finds this completely natural the mother
And the father what does he do the father?
He does business
His wife knits
His son makes war
Him the business
He finds this completely natural the father
And the son and the son
What does he find the son?
He finds nothing absolutely nothing the son
The son his mother knits his father does business him war
When he has finished with the war
He will do business with his father
The war continues the mother continues she knits
The father continues he does business
The son is killed he continues no longer
The father and the mother go to the cemetery
They find this completely natural the father and the mother
Life goes on life with the knitting the war the business
The business the war the knitting the war
The business the business and the business
Life with the cemetery
— trans. by J.Tharsen

He put the coffee
In the cup
He put the milk
in the cup of coffee
He put the sugar
In the café au lait
With the teaspoon
He stirred
He drank the café au lait
And he replaced the cup
Without speaking to me He lit
A cigarette
He made rings
With the smoke
He put the ashes
In the ashtray
Without speaking to me
Without looking at me
He got up
He put
His hat on his head
He put on
His raincoat
Because it was raining
And he left
In the rain
Without a word
And me I took
My head in my hands
and I cried.
– Jacques Prévert

They eat beans mostly, this old yellow pair,
Dinner is a casual affair.
Plain chipware on a plain and creaking wood,
Tin flatware.
Two who are Mostly Good.
Two who have lived their day,
But keep on putting on their clothes
And putting things away.
And remembering…
Remembering, with twinklings and twinges,
As they lean over the beans in their rented back room
that is full of beads and receipts and dolls and
cloths, tobacco crumbs, vases and fringes.
– Gwendolyn Brooks

by Robert Hayden
When it is finally ours, this freedom, this liberty, this beautiful
and terrible thing, needful to man as air,
usable as earth; when it belongs at last to all,
when it is truly instinct, brain matter, diastole, systole,
reflex action; when it is finally won; when it is more
than the gaudy mumbo jumbo of politicians:
this man, this Douglass, this former slave, this Negro
beaten to his knees, exiled, visioning a world
where none is lonely, none hunted, alien,
this man, superb in love and logic, this man
shall be remembered. Oh, not with statues’ rhetoric,
not with legends and poems and wreaths of bronze alone,
but with the lives grown out of his life, the lives
fleshing his dream of the beautiful, needful thing